心中的🤒故乡

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心中的🤒故乡

Choi,Eun-Hee,,Byeon,Ki-Jong,,Yoo,Min,,Kim,Seon-Young,,Seok,Keum-Seong,,Nam,Seung-Min

年份: 1949
地区: 韩国
语言: 韩语
导演: 尹龙奎

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SYNOPSIS

故事梗概

Synopsis　　Do-😪🤪)seong (Yoo :🤮Min) is a child monk w🙄=h🤣🤩🤢o/? l.i🤑😒😐😷(ves 🤤:😂at ?,🙄a small mountain$*(😔 temp🙂🙄le wi🙄😋😌th the head monk (Bye🤔😑😗on😊😏 Ki-jong), learning the t😚)eachings of😚😷;🤕 Budd🤢*🤗ha😙;?. He b^🤫e_.🙂com🤑🤤es attached to🤥$🙂 a young🤣🥰, wi😷😒🤥dow (Choi Eun-hee) 😍🤣who com😐😉😗e🤗😝🤨s t +🤑;o pray at the temple, -😋🥰and the childless wid-🤫🤮)ow entr😅😊😷ea$+🤨ts😁 th😐`+e😁😝 head monk to l🤥🙃^😋et her( r😍🥰aise Do-seong a \🤥🤔;s he😑r own so`😊n. C😌🤨🤔+onfl[😔$ict ensu😪😅es😚😘 when Do-seong'🤥?:🤣s rea;!l🥰😝🤒 😏]mother (Kim Se`=😀on-young/ ) 😉🤤😆appea😝rs😛🤒, bu😬😁😁🤣t she😶😘😍[ leaves t😉🤗he temple for the s😐-ake o;f her son's :🥰fut😄;ur-@e🤐\🤤. 😑🤨😇[On the da😶😬😍:\y th🤫=e wi😐😚do🤭w is =to[🤤_ take t😌🤐😪he child d😝own🤒🤨` from😶 t🙃😶🤔he🤣😗 mount😒🤮ain, the h😋🥰🤐+😷ead😜 😘😌😔 monk discove😇^rs t/,hat Do🤢😃-seong/🙃😘😊🤪 has killed %😃a 😂🥰🥰🤒bird )😑 😑by 😀 e🤫😴nsnaringit in )🤥😌a trap a@😚😃nd 😗 decides not to l$*et th -🤮😆e boy🙃😚😊* go into the secu 🥰!lar w🤐😒orld. When Do-s;😋🤒eong finds 🤑😗😜🥰out t😶🤕😙h😗#😊$at h🥰%is real #😍mot😄$🤢🙃her😆😍 ha🤥😛%s b🥰😘🤩😃een to 😉😇=t😑*=h 🤪😚e t🙂😬\e:?#🤫mple, he🤒=🤤🤔 sets out to 😋🤫fi.[🤥😅nd he !r.　　No🥰🤥tes　　A fil;m that h😇;🤕as garn😛😋^ered re😆 😝 cog🤨*.ni😆🤑ti.+ on😐🤨🤪 🤩for its c🙃🤒inema😇@?😝tog🙄😘😑r😙😍aphy an😴?.d di^🤥rection by eliminating se-(🤢😪$n)timentality and un😙😆aff🤐$ectedly#😝😏 🤗🙄capturing @_🤢the qui^😏et li😴fe🤥 of ?🥰a 😜mountain temp🙃😊🤢l;;😏e.😗😂😅😏 A😒🤤 Hometown in Heart demon🤢😛😊`strates the 😚🙄cam*🤑era tech🤐.[nique a=nd 😐direct😍🤗(_🤐orial😂😝 skil🥰,l of% movies)* th🤥at appea red a)😋😘fter th🤒e l😀@iberati🤩😔o/?😂]n( 😊?🤕 of Korea.　　A😐😝 Ho😪😂me🤮🤕tow😶😉n i)😅[n😗$! Heart, a.😌😆 dapted fr.( 🙃😪om playwright Ha/-🤒m 😁🤤 Se-deok'😌%🤔s A🙃( Littl:e M🤒😑onk (Dong-😊😆seun!🤨😙g😏😪), was ha`😄🤐🤩iled upon its release🥰😉`😁😐 as a🤔🤕🤫 mast🤭erpi😜!e🙃😊🤥ce that marked a new pi*😝nnacl=::🤣e in😃%😘🤣 Korean😂*😴🤭😄 moviemaking afte😌😶r the li)^🤗🤭b#-🤥😘(eration,?. Eschewing new-s`😅cho o😌🤮l se%🤥;ntimentality t=o qu🙄!🤪😁i🙃😛et😘 ly exp%😄😘🤗^ress 🤩(a %boy's %=longing for materna.,😊,l love, @t\😴he fi`lm unfolds the everyd🤩ay l@🤗`😊ives 🤩🤔🙄🤗🤤of 😅😄🤣three generatio😍nsthe *😂 head😴😝😴 monk#, a youn😘😏g monk, and😴😂 a l🤭😴?ittle child mo🤢.!nkagain#.st the ba@🥰😗ckdr🤣😷op `\🤔😃o-😪f@` 😴 a 🤗😗😄😑quiet templ😋@e i😐#n😉=]😆 t😊😍he😊 m😒$😑ountains. The long s🙃hots*😊( u😔?🤫tiliz😂😆😄ed by director of ci🤑:🤫nem😉🤣atogr🤢-aphy H!😆😉🥰an Hyung-m🤣🤤o 😌🤗.,t😷😛o capture 🤥🤥😷😃the beauti.`f😝🤣🤐🤩ul sce😅nery of🙂];😘, t😗🙃he mountai😐🤢n 🤭😇temple from a di#😂=😊 st🤤😇😁[an🤣🤤ce r😙🙃😉%e😁😏*c😆🤥e😜.🤑i-ved great 🤑🤤😒critical acc -😬😬laim at th😷@😜😪e😅🤫@ time. Also,!😆🥰🤑 each of the +😛😂fil😜🤫m's 🤮$character😃😜s[ is c😐😒=onvincingly 🙂🤭portra😜😴:yed through the sk]🤣illful directi😔😌😝on of Yoon Yong-😌ky=%*u.🤪 %😬In p/😴a😔 🤩😄rticul😄🤑ar, t🤤😷🤮🤮he scen😃[e w%😛😉hich e😛😛#xp🤑%r🤥e🙂😂sses Do-s😏_eong's 🤮de😌🤑sperate ye🤗😶😑arning for🤒😏😍 a mo`🤢🤣t,🙃her's love and😝😜^🤫 his b🙃= irth mother' 🤗s past visit to t🥰😆.he temple by🤔😐🙄$ c😙🤗😊ombinin🤤?,g % them into a 🤔😇dream sequence revea😐🤢ls 🙃\😐😊deep consideration for articulatin😒🤢😐g😚😍 stor🤕😝😔y and🤥%😗 emotion via a c🤩 omp🤮%ressed visual🤔😶🤗* grammar w🤒itho🥰🙂ut tending toward sentimental🤮🤢ism.\/🤮🤤 The movie's😪* fin]😬al scene, in 🤤🤕;whic😙#h 😁🤪Do-seong awakens from his dream and se😄😑ts off down the path` i`🤑n 😂🤪[😗sea@🙃😑r#🤪ch of:🤕@ his😙🤥😐 mothe🙂🤮r, is both touching a😗^😁nd🤑*😛 beaut🤪^😜iful. The film also featur😷🤨_es Choi[:😉 Eun-h 😔🤔ee, in the+ par😬.[t of🤥😶@😊 the young widow😪:🤕 🙃;🤮who wa🤑😒😅rmly embrac%,es D🙄😴😝o-seo🤑*@;ng with he🥰🤕😬r😌😷 😑😀😆😒love, in o🙂🤐🤕.🤕ne 😄^of🤔* her first ro😪😚les.　　Afterword　　- Lee😄😍 _Kang-su, writing under the pseudonym of😀😆+😀😏 K😑#)😗wa😄🙃k😙🤗^😂 Il.🤗\😃-b🤮🤒,yeong, fir🤒[😶st [😁adapted playwright H😷,]am Se\🤑-deok's A Litt😋, le Monk (Dong-seung) int^😘:\o a s😑😑😊🤢cr🤮😘eenplay, 😀😬`:w()hi(😷[ch 🙂😛was the_::`n shot f😙🤐=or😆🤥😑/🤩 t😶🤭+he🤤😅😬😍 silver screen with🤐😍 add🤑🥰😐i😁😑tional e)😚🤑mbellishments by the dir_😁ector.