盲目的丈🤣😘😍夫们

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盲目的丈🤣😘😍夫们

萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming

年份: 1919
地区: 美国
语言: 英语
导演: 埃里克·冯·施特罗海姆

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故事梗概

Two 😷🤥differ😀+🤮😄e🤐🤢🤮nces b🤔🤮et =😉😒ween this[ A😊ustria🤥n v😃😝ers🤤ion🤪😋😀 and the general😬😒🤤😒ly 😆🤑$availabl😉e 🤢 🤩Ameri😆😂ca😪🤣.n😃😔^ version are 😬!😷i😃+🤫mmediate🤫😜🤗ly obvious 😑😚 they differ both😁-)😗 in the😔🤕.ir leng#🤕\th and in t-😋he languag😶_\e of the intertitles. The Amer🤢😅ican 😴😘versi😗😇🤫on i @🤢s🤕🙃😋 only 1,😗😅😘😁8😔83 metres long - 😊^at 😘🤪18😊😷# frame😷:s🙂-😀%😚 😇😌_🥰$per 🤭😚😃second😙) a differenc?e 😋 😏of some🤥 7 minut🤤! 😁es t_😊🤫o😴😔 the Austr😴ian vers😀@ion wi+🥰(th😝 ^😜🤪😑2:😶😉😴,045 m😶🙂etres. *😙]]Whereas we originally presumed o[🤨 ,🤑n🤭🤤🤒ly a😄🤩 negli%😋gib🤥_😝;😶le dif😐fe🤨?renc😆e, resulting from the,😁 va😶😄rying length of th🤥😘e intertitle😏🥰s, a direct c-🤔😏;ompari^😆son ha🤭😑s🙃🤣🙃^😪 nev`\er😛🙂😄🤩t/heless😑😒 show😪😐n th😙😶😗🙄at th\😆e Austrian versio)😷😛n differs from the 😜😔🤫(😏Amer😊🤗ic?!😆🤔an vers/🤤🤭🤪*i🤐/on bo`😊🤫😉_th in😪😪 🙂 the mont🤮😍a😴🤑ge a*nd😔🤪🤩(: in the duration of indiv`😑idual s😛 c🤐^😒enes. Y😙et h🤨ow could it😌/🙄😔 happe🤑😅n🤩🤪😒 that😙😐🥰😊 the later r!egional dis😁😐?😔tributio🤤😁n of a canonical US)😒😘 🤔 silent f🥰ilm wa🤣😪😊🤐s:🤣😔🙄 longer than 😆😝(`the origina😊l version　　😝,The,🤐😀 prevalent American versio😃😗n of Blin$😃d Husb😌😂ands does not correspond [\😜 😋😶to the v😌😑🤫ersion shown at\^+🙃 the premiere of🤭 😔🤔😊1919. This#🙄 little-known 😂😂😒f+act was #😏😶`😆a😔🤑😛`lre🤨🤥a🤕[dy published😘😅 by Richard😪😒🤨 Ko😔szarski,🤒 in=🤔🤗😊 19🤗🙃8😒😴(3. The f😍🤪(🤮!ilm was🤥? re-releas🤣😀!🤮e)$d by Univ🥰😛ersal Pic🤥😃😪tures 😏🤢#🤪in 1924, 😊 in😚🤮 a v😚ersion that😁😬😶 w😜as 1😴 😀,365 [=feet (416 m🙃😇😴😐/et😐😋;res)\, s🤢🤩horter. At 18 f😷🤮🙂ram🤩🤣😁es per sec😀😙ond, this 🤭\am🤥;o😍😅unts to a time difference of🤣😘😀😍 20 minu😅😪:tes! Title😗_😜s wer,🤭😍$e 😗:🤗😔altered,%🤗 sn😆🤕ippe🤣t?😛_s😀🤭🙄] 🤫🤭😔o😷🤣[f acti]😗on removed!😛 a🤐🤒😇😐😌n😬d at l😐🤨😁east😋😅 one ,$major s *^😂cene taken 😒🤑ou$\t🤗. ent@-%irely😃!*, where von S🙂🤕🤗t;🤩😂😅😐euben and Mar😚 🙂😒garet😉🤢😪 v😌😍#🤐😌is[😪it a small🤢😘,😅 local ch;(🤕apel.😑:😏 ;;😑(Kosza😇😑😉😋rski)　　F=%=ro😁=🤔🤣[m the present state of rese*😬*arch we can!😘! assume 🤪🤐😋🤕that😏😃% all the known😍 American co😋😙😝(pies of 😆😂the film😃🙄 derive from😀😪 thi😃$#s shortene😂d r🤔*😪\e😌.😴🤐-relea🤥🤗 😑se ver🙄🤭😗sion, a copy of which $Unive😅$rs😆🤔al don😂😜ated %😊to [the Mu]🤒=!s😏😝eum o:😄🤩😐😃f Modern A😀😘😑😁r-😪[[t in 1941😘😝. A😘ccording to😬😒🤑 Kosz[ :😌arsk`i t(;he :🙂o🤕😋rigin#😇\_ al nega/)t😅!ive o🥰😏🙄😪f t🥰😬 😔😄he film was d😇😋estr🤭\/oyed 😪(som🤮😅🙃eti🤒-😙🥰me between#😅😔😉😔 1956 😐😊🤥and 1😑🤗😘961] an🤕😂d h🤩😄😅as there 🤤for(_e been irretrievably😌/@[🤣 l*🥰os 🤒:t. Thi🤣 s in😒fo😷🙄😂rmati😏/😂o]n casts a🤕?n in🤮🤤teresting ligh🤫😬😗$t🙄🙃😪 on the A🤢😁🤣😏u*:#stri/😐an versi🤪😛on, which can be dated to 😚@🤐the peri#🙄od between the sum🤗 \😷mer of 1921 and the w😪🤐*inte😶r o#(🙃f 19🤣🤩22. Fu🤤🤪🤭rthermore🤕^,🙂🤐 😪the cop🤤😊😒;y is some 200😄🤩🤕 m🤒,😔😌etres,🤑🤒 🤢🤥😏🤕longer th😂`an !the US 🤥=#😐:version o🤒😗f 19🤤🤣24. If one follows the det🤗?😬;ails given by Richard Ko😌😀szarski and Arthu 😒🤗r Lenn🙄😴😄🤮ig, th is🤕😆😒😘 means that, 😆😉[😷as 🙂😚far as both its😪 date and its😏😍 😒😷len@😃😙😪😉gth are 🤗^.🤤conce[@-r😙ned-🤣😬🤣, th😚😌e Austr🤐😋ia😅n vers🤐 ion ;@🤮!lie🤭,🤕s .🤨almost😊😍,🤣 exa😴$ctly in th🙂]e middle😗😜 😐🤕😔(betwee😗🥰 😉 n the^ (l^😗😌😌ost) 😛😛 versi😪:==on shown? 🤕😉😄a😷😪t the😆 _🤐premie@😶re and the re-rel🤩🤢🤩🤪eas😉 #e😪d one.A larg?:🤕e part of+,😏% the _=a-🙄🤪🤤😁dditi😅onal l😜!🤥ength of the film can be trac😔-ed to cuts+😶😃= that were m;😙 🤗ade🙄 to the 1924 version-:😃 in alm😄]😉o🤤🥰^😁st ;*)e😇😚very😴🤭😗 shot🤣😁(. Koszarski describe/^s how the b🤥😗eginning😂😊🤑 and🤢😌😪*😒 t🙃🤢he end of(😇😁🙄 scenes w🥰😒ere tr😝😴-immed, in or 😗d,$ 😷er to spee=😒d up t^he`😏😋🤤% f😔_😍🤗ilm🤥🙄🤑😊. @However, more exc(iting was the di🤕😄🤐sc🤔🤕🤤o😛v)/🙃😅ery 😝🤔that the%😝😂 🥰😘.Austrian version 😄😍`contains -🤒shot🤪?s that 🤨🤪are🤣🤭🤢 mi😂ssing 😍🤒i:🤨🤔n th🙃]#(e(#🤑 😔😑🤑American one - 😪sh😝🤐,🤨otsc]😶ou😂%nter`🤨🤣sh😙🙄😶:ots, intertitles - and furthermore \^😂shows difference=s in its mon!tage (i.e. th🤗🤤e placi😇🤔%😶🤥ng 😬😗😁of 😂😀😄the 😑😚😋individual🤔\😄😙 😌😴shots w😇it🤮 🙄😑hin😑 a seque🤔🤒😉nce). Al🤨)🤫😪$l t🤪:😀his(😌 😗🙃🤔🤨😚indic😚🤔:😗ates 🥰🙃th😪🤔at Di😗😀%😚e Rache😷 der(@ Berge 🤩 😘cons.titutes the olde🤮;st a😚?🥰nd most com😃😬😂ple🤒tely p#_😙reserved 🤑😙m\;?_aterial of the film.